We all know what an anachronism is. Simply put, something that is said or done or
appears in a film, play, radio play or book that cannot happen in the time the
action is set because it did not happen until sometime later.
Imagine, if you will an audience taking place between the
young Queen Victoria and her Prime Minister, Lord Melbourne. She asks him what the time is. He would not slip back the cuff of his left
sleeve with his right forefinger, look at his wrist and tell her that it is
just after noon. This would not be
possible, as wristwatches were not developed until the 20th century
to help pilots who needed accurate and easy to read timekeepers to help them to
navigate aeroplanes to their destinations.
Lord Melbourne, therefore, no matter how up to date he was, could not
own a wristwatch.
Many anachronisms appear on our screens, some we notice, some
we do not – but there will always be somebody who picks up something. If the film, say, is a real attempt to depict
a particular historical event, then those producing it should try to get as
much accuracy as possible. However, some
films do not make much of an attempt at historical accuracy in pursuit of
telling a rip-snorting story that will appeal to a modern audience.
My general gripe is about archers in various Robin Hood
type stories or many set during medieval battles. Imagine, if you will, the company of archers
ready for the word of command, the captain steps forward and shouts “Fire!” at the top of his voice. In my mind’s eye, I can see the bowmen
relaxing their strings, looking around concernedly and shouts of “Where is it?”,
“Has anybody got any water?” and “Ooh heck, be careful, I am down to my last
set of bowstrings!”
The command “Fire” did not come in until firearms were in
general use on the battlefield (17th century perhaps?) and until
then the command would have been “Loose!” or “Shoot!”
I expect to carry on wincing every time I see
Robin Hood looking heroic and shouting out “Fire!” to his fellow outlaws. Please feel free to shout out: “He wouldn’t
say that!” to the screen when you hear it.
Our great scriptwriter: William Shakespeare concluded his play “Hamlet” with a speech by Fortinbras, prince of Norway, that ends:
“Take up the bodies, such a sight as this
Becomes the field but here shows much amiss
Go, bid the soldiers shoot.”
Finis
Finally, “The Lion in Winter”, the wonderful film
starring Peter O’Toole as King Henry II and Katherine Hepburn as Eleanor of
Aquitaine. Three little quibbles here.
Their meeting was held at Christmas-time and Queen
Eleanor brought Christmas presents with her, I do not think that they would
have given Christmas presents to each other at that time. Gifts, yes, but the concept of a Christmas
present is something that came in much later, I think.
At one point, Henry says to Eleanor that she “would lower
her democratic drawbridge to anyone.”
Democratic? Henry regarded
himself as an absolute ruler subject only to the constraints of his barons and
the Church. The idea that the people (peasants
in his eyes) had a right to govern themselves would be laughable to him and it
is doubtful that his tutors would have included this word (from Classical
Greek) in his vocabulary when he was in education.
The word “democracy” only appears in the English language
in 1574 (*) – I am sorry but I do not know where it was written down first. It would definitely not have been in use in Henry
II’s time.
Finally, near the end of the film, in a chilly room, late
at night, Henry and Eleanor are talking together, when they hear a wolf or
wolves howling outside. One says, “It’s
like a jungle out there.” A jungle! Twelfth Century Europe and the British Isles
were, at the time, covered in forests
inhabited by outlaws, wolves, deer, badgers and wild boar and barely a tiger in
sight. The word “jungle” does not enter
the English language until 1776 (*). The
word comes from Hindu, Marathi and Sanskrit sources and originally meant waste
land, dry ground, land overgrown with underwood, long grass or tangled
vegetation. Once again, a word that
neither Henry nor Eleanor would ever have used.
But, in the Great Scheme of Things – it does not matter a
jot! I think that any film is an
unreliable witness to the world we live in.
Consider this: “Never let the truth get in the way of a good
story”. The screenwriters, producers and
directors of a film will never get it completely right, so, despite what I said
earlier, please do not jump up and
shout out that something is wrong, wrong, wrong. Just sit back, relax (or try to) and enjoy the
film with everybody else in the cinema.
Wince quietly, gnash and grind your teeth, then go home and write about
it.
(*) The Shorter Oxford English Dictionary – Third Edition
reprinted with corrections – 1964.
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